Well, I tried to go to bed early, at half-past 10, but the loudmouth hillbilly neighbours next door, decided to have a knock-down drag out banging, slamming, yelling, screaming fight amongst themselves. Sounds like all three of them--sister, brother and nephew going at it like cats and dogs in heat. Such a high-class building I live in! They should advertise it to those rich New York City people they want to move into Glens Falls as their holiday homes.
So, spent 45 mintues writing the first few pages of my play.
Here it is, so far, if anyone's interested--yes, it's rubbish. I'm not just saying that. The last play I posted earlier this week was rubbish, and so is this one. That's what I do for "fun," write rubbish plays--I suck at suduko, and hate crossword puzzles, so I do this, instead.
Bitter Revenge
A short one-act PLAY
SETTING: Los Angles, California, the summer of 1941.
CAST:
DANIEL……...A retired police officer, working as a private detective.
RITA…………Daniel’s fiery ex-girlfriend, whom is presently dating Edgar.
EDGAR………A formally wealthy nightclub owner, who now tends bar on Skid Row .
TWO HIRED THUGS
AT RISE: It is late morning, on a hot August day. As the lights come up, they reveal a sun shining through the blinds, in the spartan surroundings of a private detective’s office. It contains a plain wooden desk and swivel chair, behind which sits a hat stand with a fedora hat and a wide striped tie hanging from it. The only other furnishings in the room, are a straight back chair in front of the desk, a worn sofa, and a dusty filing cabinet. A fan is sitting on the desk, going full out. Daniel is sitting at his desk, with his shirt partly unbuttoned and his suit jacket flung carelessly over the back of his chair. He is holding a glass, morosely contemplating a half-empty bottle of bourbon. There is a knock at the door.
DANIEL: (Calls out wearily) If you’re a bill collector, beat it! Nobody’s home. If you’re a client, obviously I’m here, so just come in already.
(RITA enters from stage right, raising an eyebrow at the sight of DANIEL. For just a split second, he seems interested. Then, feigning boredom, he chooses to ignore her, going back to staring at the bottle..)
Oh, it’s you.
RITA: Hello Daniel. (She sidles up to the desk, coolly giving DANIEL a demure look.) Long time, no see.
DANIEL: Not long enough, doll. Not nearly long enough. What do you want, Rita?
RITA: I see you’re still a smooth talker. I’ll bet the girls at Ciro’s nightclub can’t keep their hands off of you.
DANIEL: (Squinting up at her.) Something tells me you didn’t come here to discuss my sex life. On the other hand, if you have, I’ve the sofa over there, if you’re in the mood.
RITA: Still as crude as ever, Danny. You’re never gonna’ change.
DANIEL. (Lets rip with some flatulence.) Yup. And don’t call me Danny. Makes me feel like a little kid.
RITA: (Makes a face, and pulls a lollypop out of her purse and holds it out to him.) Here, have this then…Daniel.
DANIEL: That’s not what I’d like to be suckin’ on, doll.
RITA: Oh Cripes! How ‘bout you keep it in your trousers for a while, hot-shot? I’m here on business, not (distastefully) pleasure. And don’t call me doll. Makes me feel like some cheap floosy.
DANIEL: (Finally deciding to pour himself a drink.) You know what they say, sweetheart; if it walks like a duck, and talks like a duck—
RITA: You’d better not finish that sentence with a rhyming word beginning with the letter ‘F’, or I swear you’ll be wearing that booze instead of drinkin’ it.
(DANIEL appears as if he’s tempted, but then leans back with resignation.)
DANIEL: So, what are ya’ here for, Rita? Can’t be ‘cause ya’ miss me. Though you have to admit, for a while there, we made a pretty snazzy couple.
RITA: (Smiles) Yeah, we had our moments, didn’t we? If I hadn’t of caught you with those two young blonds in the back seat of my convertible, we might still be a couple…and don’t give me that same old song and dance about how you were on an all-night stake-out and it got cold, and the top wouldn’t come down, and then these two girl scouts happened along…
DANIEL: They weren’t girl scouts. And you know that’s not how things happened. I was keeping an eye on them for their father…
RITA: Child-minding a pair of nineteen year old twins? And if anyone buys that, I have a certain bridge in San Francisco I can sell them! But, that’s not why I’m here. (Leaning her hands on the desk, her look softening.) But, I have missed you, Daniel. How’ve ya’ been?
DANIEL: Oh, you know, same old, same old. (He smiles faintly) I miss you too, Rita. The nights get kinda’ long and quiet, since you walked outta’ my life.
RITA: Well, maybe I can help liven things up for you a little. I think I may have some business for you, if you’re interested.
DANIEL: (Puts down his glass and leans forward.) I’m all ears doll—I mean, Rita. What’s going on?
RITA: (Sitting down) Daniel, the truth is that when I left you, I thought that I’d never want to be with another man again. But then one night, that all changed.
DANIEL: What happened?
RITA: You remember my former room mate, Gladys? Her mother was ill, and Gladys had to work late at the nightclub, so I stayed up with her mom until Gladys could get there, then I took the last trolley home. Well, as I got off the trolley, a man got off with me. He began following me. So, I started running, and then he began chasing me. I just kept running and running—thank goodness I was wearing flats instead of heels! Well, I must have taken a wrong turn somewhere, because the next thing I knew, I was in the middle of Skid Row.
DANIEL: What? Rita, how many times have I told you to take a cab? The streets around there are hideously dangerous at night!