For three months, I've messing about with this naf 10-minute play. I think it's a real bomb, and after just scrapping some lines I wrote this morning, I think I'm going to bin this one altogether. I don't think it's working at all, and that's it's horribly dull. I was told tonight that someone likes my writing. But if anyone reads this, and still says I'm an okay writer--yeah, I don't think so. This is a real bomb, this one is. The audience would be snoozing before the first five minutes is up, ha-ha.
It's called, "Night Shadows," and is only the first (rough) draft--what you see is what I wrote the first time 'round, untouched by any editing or re-writes.
I wasn't going to post it, but I think I need to prove to some people, that I honestly am a no-talent. It's what I really do believe. I've read and seen good writing--really solid page-turners. I don't write page turners, I write crap. Well...read for yourself, if you don't believe me:
A Ten-minute play
(Unfinished Rough Draft)
SETTING: An old New England farm, in the hills of Vermont. The year is 1917. It is early November, at dusk, the end of a long day of laborious farm chores. The sun is setting, painting its orange and rose-tinted colors over the silvery-gray boards of the old barn. There is a bench outside the barn, and some bits of harness that have been left there, in the process of being mended.
CAST:
JACOB…………….about 75 years old, stooped from years of hard toil
MARY……………..JACOB’S wife, a severe woman and staunch Christian
SUSAN…………….JACOB’S rather plain, spinster daughter
GEORGE…………..a slow-witted itinerant farm hand, who is often referred to as a "boy," even though he is a grown man.
AT RISE: JACOB enters from stage right. He limps to the bench in front of the barn, carrying a leather sewing awl in his hand. He sits slowly, taking a moment to admire the sunset.
JACOB: “What a beautiful evenin’! Just look at that! The sun glowing on the smoky gray hills, like it was shinin’ through stained glass. That's really somethin', Ey'yah. After a hard day of cuttin’ firewood, moments like this are a real treat--yessiree bob, it’s a real pleasure, to just set here and admire God’s handiwork. (He looks upward.) You painted a genuine masterpiece tonight, Lord, and I give you thanks for that. Nothin’ like a November sunset, it’s the best thing about this time a’ year, I reckon.” (He sighs contentedly, and bends to the task of fixing the harness.)
(MARY calls from off of stage right)
MARY: “Jacob? Jacob? Where are you?”
JACOB: “I’m out by the barn, Mary, mendin’ some harness”.
MARY: (Enters stage right, standing just in sight of the audience, as if standing in a door yard.) “Well don’t forget to tell George to bring me some more kindling for the stove. I want to bake some bread tomorrow, and the kindling’s near gone--and you know what a addle-brain that boy is!”
JACOB: “Wife, don’t be sayin’ such things about George! I won’t have it. He’s a good boy.”
MARY: “Just you tell him, Jacob, you hear?” (Without waiting for a response she exits).
JACOB: (Sighing heavily) “Yes, Mary, I’ll remind him when I see him.” (Frowning, he bends to the task of mending the harness again--but then his hand slips and he winces and flexes his hand.) “Darn hands don’t want to work right any longer. Like the rest of me, I suppose. Slowin' down, like a clock that life has forgotten to re-wind. (Suddenly, he gasps and clutches his heart. JACOB bends over for a minute, then, slowly relaxes and straightens up again, breathing slowly. He looks up at the sky again, pensively.) "Well Lord, I feel the steely touch of darkness gatherin' itself into my wounded heart. The rushing of the moon-cold wind, a tumultuous feathery tremblin' inside my cobalt-tinged soul. It scares me, sometimes. This ebony-colored space that hides in the violet-edged gloom of my life." (He looks sadly at the fading sun). “I’m just slowly fading away now, like those night shadows, gradually creeping oer’ the hills.”
(GEORGE enters, shambling along, carrying an empty water bucket. JACOB straightens and instantly his melancholy seemingly vanishes. He nods to JACOB.)
GEORGE: Hello, Jacob.
JACOB: Evenin’ George.
(George stands next to Jacob, and they stare appreciatively at the sunset.)
GEORGE: “Pretty, ain’t it?”
JACOB: Ey’yah.
GEORGE: I got the stock watered, what you want me to do now?
JACOB: “Mary’s doin’ her bakin’ tomorrah’. She asked me to remind you to bring her a stack of kindlin’ for the stove.
GEORGE: (Unenthusiastically.) Oh. (He dithers, looking down at the ground and scraping his toe in the dirt.) Alright. I'll do that.
JACOB: (Kindly) I know she’s a bit stern with you, sometimes. She wasn’t blessed with the patience of men, like you or I, George. But, she’s a good woman, in her way, and she don’t mean nothin’ by it. Why only yesterday, she told me you were one of the hardest working hands we’d ever hired. (Smiling gently) You just go along now, and in a little while, we’ll all of us set down to a nice supper, ey? (George sets the bucket down and shambles offstage. JACOB sighs, and intently resumes his repair of the harness.)
(There is a commotion from offstage: MARY AND SUSAN are arguing, but the words are indistinct. After a moment’s pause, SUSAN runs out from stage right, over to where JACOB is sitting.)
SUSAN: Papa!
JACOB: Now, just wait one moment, Susan. (He works industriously at finishing his sewing of the piece of leather.)
SUSAN: Papa!
JACOB: Can’t rush some things, my pet--not if you want the job done right, anyhow. Whatever it is, I’m sure it can wait another minute or two. Why don’t you just take a breath, and enjoy the nice sunset, ey?
SUSAN: (Gives a scornful glance in the direction of the setting sun, and stamps her foot impatiently.) A person would think you are more fond of some rotten old piece of leather, than you are of your own daughter!
JACOB: (Sewing the last stitch, he puts the little piece of leather on the bench beside him. He looks up into his daughter’s face with a serious expression.) Now, Susan, you know that isn’t true, dear. Here, see this old piece of harness?
SUSAN: Of course I can see it, papa! I’m not daft ya’know!
JACOB: But, you see Susan, if I’d not have gone to the trouble of repairing it, it would have become utterly useless-why, I’d have to go out and buy a whole new set of harness--just for the failure of one little piece that I’d allowed to fall into neglect.
SUSAN: So, your savin’ money is more important than talkin’ to your own daughter, is that it?
JACOB: Not at all, sweetheart. What I mean is, dear, that if we neglect the little things that go wrong--then those things can worsen, and get out of hand. Why, suppos’n I didn’t repair that little bit o’ harness, and it broke while I was drivin’ you and your mother to town in the buggy? Well, then we’d have a rather serious problem on our hands, wouldn’t we? Now, I’m listening. Tell me, what is it that has you in such a tither tonight, Susan?